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DAWN OF THE DEAD MALL MUSIC MOVIE
It'd be like if you wanted to kill time on Christmas Eve and opted to watch a Bruce Willis action movie called Die Hard that you didn't know anything about. It's pretty common to see images on the internet that compare Dawn to a shot of a Black Friday shopping mob, so that I saw it for the first time on the eve of the "holiday" without an awareness of the connection is just amazing.
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![dawn of the dead mall music dawn of the dead mall music](https://www.soundtrack.net/img/album/14345.jpg)
The satirical elements were lost on me at a young age, but once I got older and realized the sort of thing Romero was making fun of, I was actually pretty delighted at how perfect the timing was. The tradition began on the holiday in 1994, when I watched the movie for the first time (on rented VHS). His opponent is a spunky woman scientist ( Lori Cardille), and as they shout angry accusations at each other, the real drama in the film gets lost.Last year I revived an old tradition: watching the original Dawn of the Dead on Thanksgiving morning (the night continues to belong to End of Days). Meanwhile, the head of the military contingent ( Joseph Pilato) turns into a violent little dictator who establishes martial law and threatens to end the experiments. Instead, the chief researcher is a demented butcher with blood-stained clothes, whose idea of science is to teach a zombie named Bub to operate a Sony Walkman. It's an intriguing idea, especially if Romero had kept the semiseriousness of the earlier films. The zombies have more or less overrun the surface of America, we gather, and down in the darkness a small team of scientists and military men are conducting experiments on a few captive zombie guinea-pigs. This time, though, Romero has centered the action in a visually dreary location - an underground storage cavern, one of those abandoned salt mines where they store financial records and the master prints of old movies. The everyday location made the zombies seem all the more horrible, and the shopping mall provided lots of comic props (as when several zombies tried to crawl up the down escalator). The effect was both frightening and satirical. In his second zombie film, the brilliant " Dawn of the Dead" (1979), he had them shuffling and moaning their way through a modern shopping mall, as Muzak droned in the background and terrified survivors took refuge in the Sears store. Maybe Romero, whose original movie was a genuine inspiration, hasn't figured out anything new to do with his zombies. The characters shout their lines from beginning to end, their temples pound with anger, and they use distracting Jamaican and Irish accents, until we are so busy listening to their endless dialogue that we lose interest in the movie they occupy. You might assume that it would be impossible to steal a scene from a zombie, especially one with blood dripping from his orifices, but you haven't seen the overacting in this movie. But the zombies have another problem in "Day of the Dead": They're upstaged by the characters who are supposed to be real human beings.